4,775 Royalty-Free Audio Tracks for "In C"

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): whoopie bassnote: c2midi note: 36.

Recorded in a small room with the a/c fan running. This was recorded with my olympus pcm recorder. I increased the volume by 10db using audacity.

Sequence done with analog modular synth, spring reverb and analog delay. Roote note is c - ish.

This sound could be use for zombie breath or something. Software used: audacityrecorded using: behringer c-1udate: 2017-06-23.

Another 8-second reese bass i made using a synthesizer and various effects. It is in the note of c.

Sound from kaossilator. Sound from addictive synth. Merged together in kaoss pad 3. Edited in audacity. Let me know if you use it.

Sound effect (logo, bumper, sweeper) to be used in radio jingle production. Separate elements also included in the file. 16bit wave file, normalized to (around) -20db rms. Still plenty of headroom for voice.

Virtual analog synth mixed with analog ea-1 to create this wind like pad. Sampled through a behringer mixer into an mpc 1000. It sounds nothing like a wind section, hence the title broken wind. 44. 1k, 16-bit.

Needs to be faded in, but otherwise it should properly loop. Created using cubase and retrologue 2. A simple patch exploring the vsti's multi oscillators. Two oscillators plus a bit of semi-random filter modulation.

Sample of an old combo organ set to its "violin" setting. Recorded with a rme babyface using cubase.

Dark ambient evolving soundscape. Created with:korg minilogue xddiy rat clonediy sea machine clonewalrus audio slo. Doctor dreamchipportland, orapril 2020.

The sound is composed with four partials,each partial includes a number of different harmonics,similar to additive synthesis. I am using yamaha moxf 6.

Very electronic. What else do you need to know. Do something with it. Let me know/hear :-) cut it up. Loop it. This is an unedited recording. (as usual. . . ).

Traditional music from Syria performed by Mohamed Effendi El-Achek. Gramophone Concert Record n° G.C. 5-12433. Matrix n° 8106o/8107o [1].

*7 steps in 19 equal temperament on C = E♯ (Easley Blackwood's notation). Equal-tempered: 27/19:1 = 442.11 cents. MIDI pitch bend: 61,45 on a P4 Created in Sibelius with midi pitch bend on 77 for 440.625 cents rather than 442.12. New version a M3 on 60,77 for 442.08984375 cents rather than 442.12.

Traditional song from Burma performed by Ma E Mi. Columbia record n° V.E. 2107. Matrix n° CEI. 7910 [1].

*1 step in 17 equal temperament on C = D♭ (Easley Blackwood's notation). Equal-tempered: 21/17:1 = 70.59 cents. MIDI pitch bend: 75,54 17 tone equal temperament is the tempered scale derived by dividing the octave into 17 equal steps (equal frequency ratios). Each step represents a frequency ratio of 21/17, or 70.6 cents.

0 7 10 was judged most consonant by the untrained subjects. Title refers to number of semitones (unison=0).

While cleaning up i found a cd-r with harp samples that i recorded in lengfeld a few years ago. Recorded with zoom h2 ,processed with audacity. Here you are.

Bohlen-Pierce chord: 0,1,2 (semitones), the most dissonant chord. Currently at 0, 169.75, and 310.88 cents. Title refers to number of semitones (unison=0).

Line samples from a casio ap-45 on the default grand piano patch. Samples every c and g from c2 through to g8 with the sustain pedal down. Velocity is pretty aggressive and it doesn't sound quite in tune to my ear. Feels like it's a little bit out. You may want to tune these yourself, if you plan to use them for anything significant. No post processing done, so it might be worthwhile to normalize the samples out, if you're planning on putting them into a sampler for playback.

*34 steps in 72 equal temperament on C. Equal-tempered: 234/72:1 = 566.67 cents. MIDI pitch bend: 43,53 Created in Sibelius with midi pitch bend on 85 for 565.625 cents rather than 566.678. New version a P4 on 42,85 for 566.650390625 cents rather than 566.678.

*5 steps in 19 equal temperament on C = E♭ (Easley Blackwood's notation). Equal-tempered: 25/19:1 = 315.79 cents. MIDI pitch bend: 7,69 Created in Sibelius with midi pitch bend on 69 for 315.625 cents rather than 315.8. New version a m3 on 6,69 for 315.771484375 cents rather than 315.8.

*10 steps in 19 equal temperament on C = G♭ (Easley Blackwood's notation). Equal-tempered: 210/19:1 = 631.58 cents. MIDI pitch bend: 13,74 Created in Sibelius with midi pitch bend on 74 for 631.25 cents rather than 631.6. New version a TT on 13,74 for 631.5673828125 cents rather than 631.6.

A set of orchestral hits with different instrumentations. The chord c major is played. A: full orchestra with cymbals and bells (*1)b: full orchestra without cymbals and bellsc: no untuned percussiond: col legno strings (*2)e: no woodwindsf: no brassg: no percussionh: only brass & percussioni: only woodwinds and percussionj: only strings and percussionk: only col legno strings and percussionl: only strings and woodwindsm: only strings and brass. (*1) the cymbals tend to sound weird when you change the pitch (in my opinion) so all other samples don't use them. (*2) col legno is when the strings are hit with the wooden back of the bow. These are very dry samples with no additional reverb or any other processing.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): bargain pianonote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): busy eaglenote: c1midi note: 24.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): feed forwardnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): moon cownote: c3midi note: 48.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): ppg-30lnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): rm bassnote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): something worsenote: c2midi note: 36.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: yamaha cs-30lpatch name (pack): two fingersnote: c2midi note: 36.

Here's my second flute reel for the make noise morhpagene. This is how far i've came over the past few months in my playing and despite a few slip ups here and there i'm quite pleased with how i'm able to make it sound now. Would love to hear what people do with these samples as it is quite humbling to know my playing is in people's modular systems across the globe.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: akai ax80patch name (pack): agressifnote: c#2midi note: 37.

A c marine and composites, of gosport, in hampshire, is only a few years' old, but growing fast, as founder alex newton tells graham freer.

A member of the delta loopset, consisting of a set of complementary synth loops. It is in the key of c major, following the chord progression c7-f7-c7-f7. It is four bars long at 110bpm. It is normalized.

Filtersweep with the sequential ob-6 sem-state-variable-filter. C1. Rme babyface pro fs.

Thirteenth chord CMI13. Created by Hyacinth (talk) 19:35, 4 July 2009 using Sibelius 5.

Schoenberg hexachord (S-C-H-B-E-G). Created by Hyacinth (talk) 00:33, 13 October 2010 using Sibelius 5.

Remix of previous sound. . . No 133.

Trombone sample recorded in studio. Soundcard: motu pcie-424microphone: rode ntkprocessing: vst waves 1176.

Moderate tempo (90 bpm) techno-synth melody in the key of c. Good for an outro.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: akai ax80patch name (pack): gentlenote: c#2midi note: 37.

Single note sampled from an analog synthesizer by modular samples. Modular samples provides samples of vintage and modern synthesizers for apple exs24, native instruments kontakt, reason and live samplers, with over 50 gigabytes of public domain content. Sampler files and sound packs are also available at http://modularsamples. Com. Synthesizer: oberheim xpanderpatch name (pack): mpesquenote: c#1midi note: 25.

X and y comes from the nonlinearcircuits sloth lfo (regular version). X is the high sinus c, left channel. Y is the low triangle c, right channel. X and y goes to comparator resulting in a note when crossing the threshold. At the same time x and y goes to cv in on jupiter storm generating two glissando paths. The two used osc's on jupiter storm are tuned to the same pitch.

In the shade of the palm from Leslie Stuart and Owen Hall's Florodora. Sung by Frank C. Stanley in 1902. This is Edison Gold Moulded Record #8066. Other titles for this song include: In the shade of the sheltering palm Shade of palms There is a garden fair Florodora was the first big hit musical of the 20th century. "Tell me pretty maiden" was the runaway hit, with "In the shade of the sheltering palm" also quite popular.

Sonata No. 14 in C Sharp Minor "Moonlight", Op. 27 No. 2, 1st movement (adagio sostenuto), performed by Paul Pitman for Musopen Italiano: Sonata n. 14 in do diesis minore "Chiaro di luna", op. 27 n. 2, I movimento (adagio sostenuto), eseguito da Paul Pitman per Musopen

Riff acoustic guitar with maracas!. Microphone: c-3 behringeredirol ua-4fxsoftware: cubase 5.